{"id":15284,"date":"2021-08-06T19:31:03","date_gmt":"2021-08-06T19:31:03","guid":{"rendered":"https:\/\/riff.is\/?p=15284"},"modified":"2021-08-06T20:12:48","modified_gmt":"2021-08-06T20:12:48","slug":"the-school-of-housewives-selected-for-bbcs-non-fiction-film-festival-longshots-line-up","status":"publish","type":"post","link":"https:\/\/riff.is\/en\/the-school-of-housewives-selected-for-bbcs-non-fiction-film-festival-longshots-line-up\/","title":{"rendered":"&quot;The School of Housewives&quot; selected for BBC&#039;s non-fiction film festival LongShots line-up"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">RIFF \u2013 International Film Festival Reykjavik, one of 13 International Film Festivals to co-curate the line-up for LongShots, nominated The School of Housewives along with . . .<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">But it was The School of Housewives that was selected to be one of 13 films screened at the festival out of 110 entries.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<a href=\"https:\/\/www.bbc.com\/reel\/longshots\" rel=\"nofollow noopener\" target=\"_blank\">The BBC<\/a> has created an unprecedented alliance of 13 prestigious film festivals from around the globe to showcase the most exciting current works in non-fiction that embody this year&#039;s motto Age of Bloom. The line-up features 13 films loved by programmers and local audiences but not yet widely distributed. Without LongShots, they would be lost to a global audience.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>About this year&#039;s selection<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">In the spirit of the roaring 20s, the films in our program will explore inspiring and exhilarating stories that remind us of the pleasures and joys of human existence, honoring new beginnings and the wonders of our diverse, colorful and flamboyant world. Films that make your heart jump, catch you by surprise, examine urgent themes through a new empowering lens, and above all celebrate our planet&#039;s powerful beauty and diversity.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><strong>Quote from BBC<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">&quot;It will be a festival of festivals,&quot; said BBC Reel US Editor Anna Bressanin. &quot;We want to offer our audience the chance to discover exciting movies that they wouldn&#039;t be able to see otherwise unless they could travel from Reykjavik to Tel Aviv, the kind of movies that are shown and acclaimed at great festivals for a week but then disappear until some of them reach streaming services. Personally, it was amazing to co-curate our selection with international institutions that are much loved and esteemed for their programming and their commitment. This year, LongShots is our way of celebrating togetherness and the unifying power of cinema&quot;.<br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Films competing in LongShots will be drawn from a long list of 110 films nominated by a network of 13 prestigious festivals around the globe, representing countries from Argentina to India, China, and Kosovo. The full list of festivals is below. From these 110 films, BBC Reel selected 13 finalists, one per each festival, to take part in this year&#039;s selection.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Quote from Hr\u00f6nn Marin\u00f3sd\u00f3ttir director of RIFF about why RIFF nominated The School of Housewives<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">&quot;In my opinion, this film is relevant both locally and internationally because it&#039;s about traditions that are disappearing from modern society and how it is possible to evolve the same good concepts to meet new challenges in totally different times. The schoolmaster Margr\u00e9t D\u00f3r\u00f3thea Sigf\u00fasd\u00f3ttir is a great character who has managed to change to school and honor the traditions at the same time. To keep this kind of school alive is a great achievement but she has been running the school for more the 20 years.\u201d\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>About the School of Housewives<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">The School of Housewives is a documentary, directed by Stefan\u00eda Thors, about the self-image of the Icelandic housewife and how the role of this school has changed over the years. In the film, the past is reflected in interviews with senior students alongside old 8mm footage that shows how important the role the school played to expectant Icelandic housewives around the middle of the last century.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">At the same time, recent students are monitored showing how much change has taken place in the school, regarding the role of housewives today in terms of gender role and the basic values such as all kinds of efficiency, maintenance of clothing, protecting the environment, and preventing food waste. The film is a unique contemporary documentary about the Reykjav\u00edk School of Housewives, running since 1942 and still open for those students who are interested, despite the uncertainty about the future of the school and its possible imminent closure<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Selected Films<br \/>\n<\/b><b>Transnistria <\/b><span style=\"font-weight: 400;\">(Transnistria)<br \/>\n<\/span><span style=\"font-weight: 400;\">Intimate portraits of teenagers in an unrecognized Soviet territory<\/span><\/p>\n<p><b>The Viewing Booth<\/b><span style=\"font-weight: 400;\"> (US, Israel, Palestine)<br \/>\n<\/span><span style=\"font-weight: 400;\">New insights into the most disputed videos from the Palestinian-Israeli conflict<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><b>The School of Housewives <\/b><span style=\"font-weight: 400;\">(Iceland)<br \/>\n<\/span><span style=\"font-weight: 400;\">The Nordic school that creates the perfect housewife<\/span><\/p>\n<p><b>Moti Bagh <\/b><span style=\"font-weight: 400;\">(India)<br \/>\n<\/span><span style=\"font-size: 16px; font-weight: 400;\">The disappearing village where huge radishes grow<\/span><\/p>\n<p><b>Dream in Silence <\/b><span style=\"font-weight: 400;\">(US\/China)<br \/>\n<\/span><span style=\"font-weight: 400;\">Why it&#039;s never too late to create your masterpiece<\/span><\/p>\n<p><b>Soldier<\/b><span style=\"font-weight: 400;\"> (Argentina)<br \/>\n<\/span><span style=\"font-weight: 400;\">The surreal life of a soldier in a country at peace<\/span><\/p>\n<p><b>Kosher Beach <\/b><span style=\"font-weight: 400;\">(Israel)<br \/>\n<\/span><span style=\"font-weight: 400;\">Inside the secluded beach for orthodox Jewish women<\/span><\/p>\n<p><b>The Swing <\/b><span style=\"font-weight: 400;\">(Lebanon)<br \/>\n<\/span><span style=\"font-weight: 400;\">Would you lie to your father on his deathbed?<\/span><\/p>\n<p><b>Baroness <\/b><span style=\"font-weight: 400;\">(Brazil)<br \/>\n<\/span><span style=\"font-weight: 400;\">Life in one of the most dangerous neighborhoods in the world<\/span><\/p>\n<p><b>Maricarmen<\/b><span style=\"font-weight: 400;\"> (Mexico)<br \/>\n<\/span><span style=\"font-weight: 400;\">What life is really like if you are blind<\/span><\/p>\n<p><b>The Letter <\/b><span style=\"font-weight: 400;\">(Kenya)<br \/>\n<\/span><span style=\"font-weight: 400;\">The intricate story of deadly witchcraft accusations<\/span><\/p>\n<p><b>Los Reyes<\/b><span style=\"font-weight: 400;\"> (Chile)<\/span><b><br \/>\n<\/b><span style=\"font-weight: 400;\">Drugs, dogs and dating in a city park<\/span><\/p>\n<p><b>The Kiosk <\/b><span style=\"font-weight: 400;\">(France)<br \/>\n<\/span><span style=\"font-weight: 400;\">The disappearing Parisian kiosk that sells dreams<\/span><\/p>\n<p><b><br \/>\nParticipating Festivals and Institutions<\/b><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"https:\/\/www.docaviv.co.il\/2020-en\/\" rel=\"nofollow noopener\" target=\"_blank\"><b>Docaviv<\/b><\/a> <span style=\"font-weight: 400;\">(Israel)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"https:\/\/doclisboa.org\/\" rel=\"nofollow noopener\" target=\"_blank\"><b>Docs Lisbon<\/b><\/a><span style=\"font-weight: 400;\"> (Portugal)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"https:\/\/dokufest.com\/\" rel=\"nofollow noopener\" target=\"_blank\"><b>Documentary festival<\/b><\/a><span style=\"font-weight: 400;\"> (Kosovo)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"https:\/\/encounters.co.za\/\" rel=\"nofollow noopener\" target=\"_blank\"><b>Encounters South Africa<\/b><\/a><span style=\"font-weight: 400;\"> (South Africa)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"http:\/\/elgounafilmfestival.com\/\" rel=\"nofollow noopener\" target=\"_blank\"><b>El Gouna Film Festival<\/b><\/a><span style=\"font-weight: 400;\"> (Egypt)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/\" rel=\"nofollow noopener\" target=\"_blank\"><b>Festival Internacional de Cine de Mar del Plata<\/b><\/a><span style=\"font-weight: 400;\"> (Argentina)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"http:\/\/www.movingimage.us\/programs\/2019\/01\/11\/detail\/first-look-2019\/\" rel=\"nofollow noopener\" target=\"_blank\"><b>First Look<\/b><\/a><span style=\"font-weight: 400;\"> (US)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"http:\/\/www.gzdoc.cn\/\" rel=\"nofollow noopener\" target=\"_blank\"><b>Guangzhou Int. Documentary Film Festival<\/b><\/a> <span style=\"font-weight: 400;\">(China)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"https:\/\/iffk.in\/\" rel=\"nofollow noopener\" target=\"_blank\"><b>International Film Festival of Kerala<\/b><\/a><span style=\"font-weight: 400;\"> (India)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"https:\/\/www.hkiff.org.hk\/\" rel=\"nofollow noopener\" target=\"_blank\"><b>Jeonju IFF<\/b><\/a> <span style=\"font-weight: 400;\">(South Korea)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><strong><a href=\"https:\/\/www.cinematropical.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Cinema Tropical<\/a><\/strong><span style=\"font-weight: 400;\"> (US covering South America)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"https:\/\/riff.is\/en\/\"><b>Reykjavik International Film Festival<\/b><\/a><span style=\"font-weight: 400;\"> (Iceland)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><strong><a href=\"https:\/\/docsmx.org\/\" rel=\"nofollow noopener\" target=\"_blank\">Docs Mx<\/a><\/strong><span style=\"font-weight: 400;\"> (Mexico)<\/span><\/li>\n<\/ol>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>RIFF \u2013 International Film Festival Reykjavik, one of 13 International Film Festivals to co-curate the line-up for LongShots, nominated The School of Housewives along with . . . &nbsp; But [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":2749,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[9],"tags":[],"class_list":["post-15284","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/posts\/15284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/comments?post=15284"}],"version-history":[{"count":3,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/posts\/15284\/revisions"}],"predecessor-version":[{"id":15289,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/posts\/15284\/revisions\/15289"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/media\/2749"}],"wp:attachment":[{"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/media?parent=15284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/categories?post=15284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/tags?post=15284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}