{"id":63259,"date":"2025-08-13T13:03:57","date_gmt":"2025-08-13T13:03:57","guid":{"rendered":"https:\/\/riff.is\/?p=63259"},"modified":"2025-08-13T16:29:34","modified_gmt":"2025-08-13T16:29:34","slug":"anton-corbijn-verdur-heidursgestur-a-riff-2025","status":"publish","type":"post","link":"https:\/\/riff.is\/en\/anton-corbijn-verdur-heidursgestur-a-riff-2025\/","title":{"rendered":"Anton Corbijn will be one of the Honorary Guest at RIFF 2025"},"content":{"rendered":"
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Hinn heims\u00feekkti hollenski kvikmyndaleikstj\u00f3ri og lj\u00f3smyndari Anton Corbijn ver\u00f0ur me\u00f0al hei\u00f0ursgesta \u00e1 Al\u00fej\u00f3\u00f0legri kvikmyndah\u00e1t\u00ed\u00f0 \u00ed Reykjav\u00edk sem fram fer dagana 25.september til 5.okt\u00f3ber n\u00e6stkomandi. Nokkrar af kvikmyndum hans ver\u00f0a s\u00fdndar \u00e1 h\u00e1t\u00ed\u00f0inni \u00e1samt \u00fev\u00ed a\u00f0 hann mun taka \u00fe\u00e1tt \u00ed \u201eSpurt & svara\u00f0\u201c a\u00f0 s\u00fdningum loknum. \u00de\u00e1 mun hann st\u00fdra <\/i>This Mixed Media <\/a><\/i><\/span>meistaraspjalli<\/a> og r\u00e6\u00f0a \u00fear verk s\u00edn og feril.<\/i><\/p>\n

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Anton Corbijn, RIFF 2025\u2019s Honorary Guest, is one of the most influential photographers and filmmakers of recent decades, whose distinctive approach has reshaped the relationship between photography, music, and cinema. Born in the Netherlands in 1955, he is best known for raw and intimate portraits of musicians\u2014images that feel more like conversations than posed shots. But his artistry goes far beyond photography: he has directed some of the most memorable music videos of the past 40 years and developed a unique cinematic style where visual language and atmosphere take center stage.<\/p>\n

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The Beginning with Joy Division<\/span><\/h2><\/h3>

Corbijn\u2019s style emerged in the late 1970s, when he moved to London to immerse himself in the post-punk scene. He quickly gained attention with deep, quiet images of Joy Division (his first music assignment), Siouxsie Sioux, and Echo & the Bunnymen. His most famous photos of the late Ian Curtis, Joy Division\u2019s singer, were taken offstage, in stillness that suggested both solitude and underlying tension.<\/span><\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Reaching for the Sky: Depeche Mode and U2<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Corbijn\u2019s ability to capture the emotional essence of an individual made him one of the most sought-after photographers for musicians wanting more than just promotional shots. His long collaborations with Depeche Mode and U2 not only shaped the visual identities of these globally successful bands but also influenced pop culture from 1985 to 1990. When people think of the stark imagery of The Joshua Tree<\/i> or the dark, mysterious mood of Violator,<\/i>they\u2019re seeing Corbijn\u2019s vision. Other notable artists he has designed album covers for include Nick Cave, Echo & the Bunnymen, Morrissey, Bruce Springsteen, R.E.M., and Therapy?.<\/p>\n

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Music Videos and Feature Films<\/span><\/h2><\/h3>

Moving into feature filmmaking was a natural next step. By then, Corbijn had already directed famous music videos such as \u201cEnjoy the Silence\u201d (Depeche Mode), \u201cOne\u201d (U2), and \u201cHeart-Shaped Box\u201d (Nirvana). His debut feature, Control<\/i> , tells the story of Ian Curtis\u2019s life, art, and death, shot in stark black and white. The film was praised for its sensitivity, melancholy, and refinement\u2014not just as a music film, but as a meditation on creativity, fame, and ambition in the shadow of depression. <\/p>\nHis subsequent films show his continued interest in solitude, surveillance, and identity. These include The American (2010, starring George Clooney) and A Most Wanted Man (2014, the final film of the late Oscar-winning actor Philip Seymour Hoffman). Whether portraying spies or assassins, Corbijn\u2019s hallmarks remain: silence, visual stillness, and an elusive beauty revealed in fleeting moments. Shadows matter as much as light, and stories are never told purely on the surface\u2014the way to the core is always through the lens.<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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A Master of Visual Language \u2013 A Major Gain for RIFF<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u201cIt is both a great pleasure and an immense honor for us to welcome such a legendary artist as Anton Corbijn,\u201d<\/span> er<\/span>says Hr\u00f6nn Marin\u00f3sd\u00f3ttir about his visit to RIFF 2025. \u201cHere we have an artist whose career not only includes some of the most intriguing and exciting films of the past 20 years but also many of the most memorable portraits of artists in recent decades.<\/span> His approach, texture, and visual language have undoubtedly shaped pop culture in recent decades.\u201d <\/span><\/p>\n

Hr\u00f6nn adds that Corbijn generally keeps a low profile and avoids the spotlight. \u201cThat makes his visit all the more special and desirable, and of course, we hope as many people as possible seize the opportunity to attend the screenings and events connected to his visit. This is truly a rare opportunity, unlikely to come again in Iceland.\u201d<\/span><\/p>\n

The Reykjav\u00edk International Film Festival will take place from September 25 to October 5.<\/b> The full program will be announced soon.<\/span><\/p>\n

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Hinn heims\u00feekkti hollenski kvikmyndaleikstj\u00f3ri og lj\u00f3smyndari Anton Corbijn ver\u00f0ur me\u00f0al hei\u00f0ursgesta \u00e1 Al\u00fej\u00f3\u00f0legri kvikmyndah\u00e1t\u00ed\u00f0 \u00ed Reykjav\u00edk sem fram fer dagana 25.september til 5.okt\u00f3ber n\u00e6stkomandi. Nokkrar af kvikmyndum hans ver\u00f0a s\u00fdndar […]<\/p>\n","protected":false},"author":940,"featured_media":63282,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[9],"tags":[],"class_list":["post-63259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/posts\/63259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/users\/940"}],"replies":[{"embeddable":true,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/comments?post=63259"}],"version-history":[{"count":21,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/posts\/63259\/revisions"}],"predecessor-version":[{"id":63293,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/posts\/63259\/revisions\/63293"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/media\/63282"}],"wp:attachment":[{"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/media?parent=63259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/categories?post=63259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riff.is\/en\/wp-json\/wp\/v2\/tags?post=63259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}