RIFF WORK IN PROGRESS (WIP) 2026 - SELECTED PROJECTS

The WIP selection has been announced

Work in Progress is RIFF Industry Days' showcase for films in active development, production or post-production, connecting filmmakers with international co-production partners, financiers, sales agents and distributors. This year's selection brings together ten Nordic and international projects — documentaries and fiction features spanning Iceland, the Faroe Islands, Finland, Portugal, Poland, Denmark, Sweden, Spain, Canada, Estonia and Italy — at stages ranging from early development through to post-production. RIFF Industry Days is proud to present the ten projects selected for this year's WIP showcase.

For all enquiries regarding the projects, please contact industry@riff.is

Dark Ocean

07 Dark Ocean still

Project title (original language): Hafið Er Svart

Project stage: Development

Country / co-production countries: Iceland, Canada

Genre: Drama

Estimated length: 02:00

Synopsis
On his first voyage aboard an Icelandic fishing trawler, young deckhand Hákon enters a closed world shaped by silence, loyalty, and relentless labour. As isolation and hardship forge unexpected bonds, he is drawn into a culture where belonging demands emotional sacrifice, forcing him to choose between becoming one of the men or holding on to himself.

07 Dark ocean directors portrait

Director biography/filmography
Baldvin Z is an award-winning Icelandic writer, director, and producer whose films and television series have reached audiences worldwide. His acclaimed features include Jitters (2010), Vonarstræti (Life in a Fishbowl, 2014) og Let Me Fall (Let Me Fall,2018), the latter two premiering at the Toronto International Film Festival.

His work has received more than 40 international awards and 22 Edda Awards, Iceland's highest film and television honours. Alongside his feature films, Baldvin has created and directed internationally successful series including Black Sands, Case and  The Journey.

His films explore identity, human relationships, and the emotional consequences of social systems through an intimate, character-driven style. Dark Ocean marks a new chapter in his filmmaking, combining his deeply personal connection to Iceland's fishing culture with a bold exploration of masculinity, belonging, and emotional silence.

07 Dark Ocean producers portrait 2

Producer biography/filmography
Arnbjörg Hafliðadóttir (Abby) is one of Iceland's most experienced producers, with a career spanning more than two decades. Since entering the film and television industry in 2002, she has produced over 160 episodes across 27 television series, as well as television movies and feature films for both Icelandic and international audiences.

Her productions have earned dozens of awards and nominations in Iceland and abroad, including multiple Edda Awards from the Icelandic Film and Television Academy.

07 Dark Ocean producers portrait 1

Æviágrip / kvikmyndaskrá framleiðanda
Guðgeir Arngrímsson is an Icelandic film and TV producer known for emotionally resonant, visually compelling storytelling. He launched his career with Albatross (2015), a crowd-funded dramedy set in Iceland's Westfjords, directed by Snævar Sölvason. The film's festival success established Guðgeir's reputation for managing productions in demanding settings.

He re-teamed with Sölvason for From Iceland to Eden (2019) and Odd Fish (2024), the latter receiving nine Edda Award nominations. He is currently producing Avalanche, a large-scale climate-disaster series from Glassriver and Whatevergroup, commissioned by Síminn.

With a focus on character-driven narratives and international collaboration, Guðgeir is helping shape the future of Icelandic cinema.

Director's statement
Growing up surrounded by fishermen, I became fascinated by the emotional silence that shaped generations of men at sea. Dark Ocean explores how masculinity is learned through belonging rather than choice. My intention is not to judge these men, but to understand them. Through an intimate, immersive approach, I want audiences to experience both the brutality and the humanity of a world where survival often comes at the cost of vulnerability.

Total budget: 644 080 500 ISK
Confirmed amount: 402 512 530 ISK
Required amount: 93 345 000 ISK

Looking for:
Our main goal is to connect with sales agents, distributors and potential financing partners, with a particular focus on Scandinavia. Dark Ocean is currently 62.5% financed through Icelandic funding, with applications pending in Canada and Europe. Through the WIP Showcase, we aim to secure the remaining financing, including ISK 93,345,000—15% of the total budget—through sales and distribution, while building strong partnerships for the film's international launch.

  • Post-production partner
  • Financing / grant support

Completion date: N/A

Production companies
Glass River
Terminal Pictures

COMMUNITY

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Project title (original language): COMMUNITY

Project stage: Development 

Country / co-production countries: Poland, Iceland

Genre: Documentary feature

Estimated length: 01:11

Synopsis
As sheep disappear from Icelandic fields - tourists multiply. Through the eyes of a 'heimalningur', we see a rural community in between tradition and survival. Across Iceland, sheep farms are quietly transforming into guesthouses and restaurants, trying to survive on an unstable tourism economy, as the country's landscape and Icelanders identity seem to be irreversibly transformed by the industry.

02 Community directors portrait 1

Director biography/filmography
Szymon Radzio is a Polish director, screenwriter and production manager of short films. Graduate of the Łódź Film School. He works at the Mazovia Warsaw Film Commission, Mazovia Warsaw Film Fund.

Participant of: KIPA Film Production Accelerator 2025; 15th Warsaw Next workshops during the 41st Warsaw Film Festival; Young Talents programme at the Young Horizons International Film Festival 2024. Recipient of the Villa Decius Institute of Culture screenwriting scholarship in 2024, and the Marshal of the Podkarpackie Voivodeship creative scholarship in 2022. Member of the Polish Filmmakers Association.

He is known for Perseidae (2026), A Few Blocks Away hortlisted in TOP15 of the Nespresso Talents 2021 'Doing is Everything' Competition and Rosebud (2021)—awarded in the Polish Film Competition Nakręć się! 2022.

02 Community producers portrait 1

Producer biography/filmography

Katarzyna Stasiełuk is a Polish producer who graduated from the Film School in Łódź and the University of Gdańsk, specializing in film production and film studies. She has worked with leading Polish film institutions and companies, contributing to acclaimed short films including Dead Marriage and  Crocodile which premiered in the Semaine de la Critique at the 2023 Cannes Film Festival.

02 Community producers portrait 3

Producer biography/filmography

Guðný Guðjónsdóttir is an Icelandic producer and Head of Finance at Kontent, specializing in project financing, budgeting, and financial management for film and television productions. She also leads the company's production team, overseeing the development and delivery of documentaries and original content for TV and cinema.

02 Community producers portrait 2

Producer biography/filmography

Sara D. Baldursdóttir has a background in business, finance and art. She has worked in finance, accounting and management as well as film and television production in recent years. Sara has extensive experience in sales, marketing and production development and specializes in creating marketing materials and pitch decks for film and TV projects.

Director's statement
To depict the process of Icelandic society, tradition and landscape transforming, we follow the story of Fanny and Sverrir. From the POV of sheep raised by farmers we observe tourism leaving a mark on Icelandic culture. This aims to show the perspective on relationships between human beings through the eyes of an animal.

Total budget: 244 000 EUR
Confirmed amount: 12 000 EUR
Required amount: 232 000 EUR

Looking for:
We are looking for collaborators who can support the film through financing, festival strategy and international distribution with focus on: Iceland as the territory, main location of the story and of the film as a project, as well as its topic. Poland as the country of origin of the main creators and other Nordic countries.

  • Majority co-producer
  • Minority co-producer
  • Financing / grant support

Completion date: 2028

Production companies
HAKA Films
Kontent Productions

EIVØR

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Project title (original language): EIVØR

Project stage: Development

Country / co-production countries: Faroe Islands, Iceland

Genre: Documentary

Estimated length: 01:30

Synopsis
Born on a remote island, Faroe Island in the North Atlantic, where the ocean meets the sky and the wind never rests, Eivør grew up in a world shaped by raw nature, ancient echoes, and something almost magical. From this wild and distant place, a voice emerged—powerful, haunting, and unlike anything heard before. This is an inspiring story of a girl from the far who dared to follow her own path.

04 Eivor directors portrait 1

Director biography/filmography
Ágústa M. Ólafsdóttir is a writer and producer. A member of Vesturport, one of Europe's most innovative film, TV and theatre groups. Agusta has written, produced and directed documentaries that have won numerous international awards both in Europe and America as well as produced TV series and feature films.

Her latest project is the TV series Vigdís, a 4 part drama series about the first female president in the world. Agusta wrote, produced and was the showrunner of the series, working closely with the directors and head of departments.

04 Eivor producers portrait 1

Producer biography/filmography
Rakel Garðarsdóttir is the MD and producer of the award-winning and critically acclaimed company Vesturport. With her company, she has produced a vast range of films, documentaries, and TV episodes, which have accumulated dozens of film and television awards, both international and domestic.

She has also produced many theatre productions worldwide, from Siberia to London's West End, from New York and Washington to Toronto, Canada.

In addition, Rakel was honored with the order of the Falcon from the president of Iceland for her work towards the environment and sustainable world, which is the highest honor that the Icelandic state can bestow on individuals.

Director's statement
Eivør grew up as my island neighbour, just across the North Atlantic from my home, Iceland. Growing up in the North, I have always felt a deep connection to artists shaped by nature and isolation. I have followed Eivør since her teenage years, recognizing early on a rare authenticity in her voice and vision.

Seeing her perform for the first time was an almost supernatural experience of power, presence, and emotional depth. This film is driven by a desire to understand that connection.

Total budget: 250 000 EUR
Confirmed amount: 100 000 EUR
Required amount: 150 000 EUR

Looking for:

  • Co-Producer (Faroe Island / Denmark)
  • Sales Agent
  • Distributor
  • Pre-sale

Completion date: N/A

Production companies
Vesturport

 Capricorn Syndrome

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Project title (original language): Síndrome de Capricórnio

Project stage: Development 

Country / co-production countries: Portugal, Finland

Genre: Absurdist, Psychological Drama

Estimated length: 01:40

Synopsis
Pedro arrives at a remote clinic in Finland, referred by a Portuguese doctor, seeking help for a mysterious syndrome. Known as Capricorn Syndrome  this condition inexplicably affects only people born between late December and early January. At the clinic, Pedro is placed into a rigid routine, following strict rules and subjected to unconventional methods that force him to confront his fears.

08 Capricorn Syndrome directors portrait 1

Director biography/filmography
Miguel Munhá holds a degree in Art and Multimedia from the Faculty of Fine Arts of the University of Lisbon, an MA in Film Directing from the Lisbon Theatre and Film School, and an MA in Cinematography from ESCAC (University of Barcelona). He also studied at the University of Hertfordshire (UK) and completed an Inov-Art internship at Prodigo Films (Brazil).

Working as a director, producer and cinematographer, his films have screened internationally. His documentary Nunca as minhas mãos ficam vazias premiered at IndieLisboa and was acquired by Tate Modern. His fiction short Hei-de morrer onde nasci screened at festivals across three continents, while Pássaro Azul, supported by the Calouste Gulbenkian Foundation and ICA, premiered at the Warsaw Film Festival (Poland) and screened at the Beijing International Short Film Festival (China), In The Palace (Bulgaria) and Entre Olhares (Portugal).

08 Capricorn Syndrome producers portrait 1

Producer biography/filmography
Ana Sofia Nunes is a Portuguese producer working across film, television and cultural projects. She holds a BA in Communication Design from the Faculty of Fine Arts, University of Lisbon, and an MA in Arts and Heritage from Maastricht University.

In 2020 she co-founded Jângal Studios after several years as Production Manager at DuplaCena. Since then, she has produced audiovisual and cultural projects. Her recent credits include the shorts Pássaro Azul(Warsaw Film Festival) and Era uma vez uma vez no apocalipse (Tribeca Lisbon).

Most recently, she was selected for Match Me!, Locarno Pro's international networking programme, and will take part in its 2026 edition. She is currently producing Suggia by Adriana Romero and  Capricorn Syndrome by Miguel Munhá.

Director's statement
 Capricorn Syndrome explores mental illness, anxiety and personality disorders through a dystopian yet familiar world that mirrors today's growing polarisation, misinformation and emotional isolation. Drawing on my own experience with anxiety, the film combines minimalist storytelling with a hypnotic visual language inspired by Lanthimos, Bergman and Kubrick.

Set between Portugal and Finland, it reflects my personal connection to both countries and their shared emotional landscapes.

Total budget: 1 600 000 EUR
Confirmed amount: 25% (of total budget)
Required amount: 75% (of total budget)

Looking for:
We are currently seeking additional co-production partners, strategic industry contacts and long-term collaborations that can support the film's production and international circulation. Beyond financing, we see RIFF as an ideal platform to receive feedback from experienced professionals, refine our positioning within the European market and expand our network across the Nordic region.

  • Minority co-producer
  • Post-production partner
  • Financing / grant support

Completion date: N/A

Production companies
Jângal Studios
David & Golias
Films Films Films Oy

Mermaid in the Sun

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Project title (original language): Sereia ao Sol

Project stage: Development

Country: Portugal

Genre: Drama

Estimated length: 01:40

Synopsis
An old family campsite on a northern coastal stretch is at risk of closing to make way for a luxury resort. The park relies on a mix of tourists from all over Europe—including Spain, Italy, the Netherlands, and Iceland—who are just passing through, living temporarily alongside Portuguese campers who return every year and are virtually residents.

10 Mermaid in the Sun directors portrait 1

Director biography/filmography
Jorge Quintela graduated in Photography and Audiovisual in 2003 from the Escola Superior Artística do Porto (Porto School of the Arts). He is a founding partner of the production company Bando à Parte and works in Cinema as a Director and Director of Photography.

As a director, he made his debut in 2010 with the fiction short film Ausstieg Ausstieg, awarded an Honorable Mention in the Experimental Competition at Curtas Vila do Conde and screened at several international festivals. Other acclaimed works include: On the Road to Femina (2010) and O amor é a solução para a falta de argumento (2011).

10 Mermaid in the Sun producers portrait 1

Producer biography/filmography
Rodrigo Areias graduated from Sound and Image at the School of Arts in Porto. He also did Film undergrad at NYU's Tisch School of Arts, the Eurodoc and the Venice Biennale College production training programs.

Throughout his career, has developed creative works in the area of author cinema, video-art and videoclips. As a producer since 2001 has produced over 150 films and has won San Sebastian's Golden Shell, three Lions at Venice and a Locarno Leopard.

As a director has won over 50 awards, his films have been in several international film festivals, his last feature film The Worst Man in Londonin London premiered at Rotterdam's Big Screen Competition, and his last documentary NOVA ’78 premiered on the official selection of Locarno.

Director's statement
In my previous short film, Sobre El Cielo, many elements from the realm of science fiction and the supernatural are already present but they never impose themselves as the narrative's core theme. In this film I intend to take an unequivocal approach to the cosmology of Portuguese reality through a dialogue between the sacred and the profane, reimagining pagan conceptions of Celtic origin devoted to goddesses—conceptions that blended with Christian customs—drawing on the legend of Melus.

Total budget: N/A
Confirmed amount: N/A
Required amount: N/A

Looking for:

  • Minority co-producer
  • Financing / grant support

Completion date: N/A

Production companies
Bando à Parte

Marathon Before Menopause

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Project title (original language): Rogastanz

Project stage: Pre-production

Country / co-production countries: Iceland, Denmark, Sweden, Spain

Genre: Dramedy

Estimated length: 01:46

Synopsis
In a desperate race against her biological clock, Sara, an outspoken middle-aged journalist, turns to a mysterious Danish tantra master in the hope of boosting her fertility. Their unexpected and passionate relation upends everything she thought she wanted, forcing her to choose between the future she planned and the life she never imagined she could have.

05 Marathon before Menopause directors portrait

Director biography/filmography
Brynja Valdís Gísladóttir is an Icelandic director, actor, acting coach, and public speaker with nearly three decades of experience in film, theatre, television, and live performance. A graduate of the Iceland University of the Arts and the Icelandic Film School, she has directed and produced short films, documentaries, music videos, and commercials, with a particular focus on dramedies.

She has directed short films and a documentary short. Selected works include Lifi Kolaportið (2007, documentary short), Lítið land (2007, short), Fjölskylda (2008, short), Einu sinni var… (2009, short), Frí áfylling (2010, short) and Frumeðli (2023, short).

05 Marathon before Menopause producers portrait 1

Producer biography/filmography
Júlíus Kemp is an Icelandic producer and director whose career has spanned nearly four decades. After studying filmmaking at the West Surrey College of Art & Design in the UK, he co-founded Kisi (The Icelandic Film Company) in 1991. Since then, he has primarily worked as a producer, alongside directing feature films and short films.

Throughout his career, he has built a reputation for recognising emerging talent, backing first-time filmmakers, and supporting ambitious, unconventional stories. He has produced 19 feature films. Selected producing credits include The Icelandic Dream (2000 dir. Robert Douglas), Let Me Fall (2018, dir. Baldvin Z) and Odd Fish (2024, dir. Snævar Sölvason), as well as the international co-productions The Bothersome Man (2006, co-producer, dir. Jens Lien) and Unknown Soldier (2017, co-producer, dir. Aku Louhimies).

05 Marathon before Menopause producers portrait 2

Producer biography/filmography
Aðalheiður Kristbjörg Jensdóttir Mathiesen is a producer. Before moving into film, she spent more than a decade working in business development, financing, management consulting, and strategic partnerships.

She is currently producing Marathon Before Menopause while developing various film and television projects in Iceland. Alongside her business career, she co-founded art collectives and collaborated on a range of cultural initiatives.

She holds an MSc in Diversity and Change Management, with a minor in Sustainable Business, from Copenhagen Business School.

Director's statement
I wanted to explore existential questions about identity, love, belonging, and what gives our lives meaning through the story of a woman in midlife, standing at a crossroads. Fertility and motherhood are part of Sara's journey, but they are not the only destination. For me, the film is about our longing for connection, the emotional cycles we struggle to break, and the hope that change is possible. I want the film to find humour in the messiness of being human, while letting other moments carry their own emotional weight.

Total budget: 360 000 000 ISK
Confirmed amount: 10 000 000 ISK
Required amount: 350 000 000 ISK

Looking for:
We are primarily seeking financing opportunities, sales agents, broadcasters and strategic industry partners to support the production and international distribution of Marathon Before Menopause (Rogastanz). While the project is already developing relationships with potential co-production partners, we are particularly interested in strengthening its financing structure and international market potential.

  • Executive producer
  • Financing / grant support

Completion date: Q4 2028 / Early 2029

Production companies
Kisi Productions
Asta Film
Harmonica Films
KABOGA FILMS

Bræðslan | Þegar Fjörðurinn Vaknar

01 Braedslan still

Project title (original language): Bræðslan | Þegar fjörðurinn vaknar

Project stage: Development, roughcut started

Country: Iceland

Genre: Documentary, music, community

Estimated length: 01:05

In a fjord inhabited by around ninety people, brothers Magni and Heiðar open an old herring factory once a year, filling it with life and music. For one summer weekend, the population multiplies as visitors stream over the mountain road and the entire village comes together to make it happen. The film follows the brothers and the community while also looking back at its history, exploring what life was like before Bræðslan came into being. The project also draws on archival material from 1965 to 1990, along with an extensive collection of photographs that offers a vivid picture of how the fjord has changed and how it looks today. At its heart is a question the locals ask themselves: What happens if Bræðslan comes to an end, and what comes next? As the film unfolds, it searches for an answer. This is a story about culture giving a small community a voice that can be heard far beyond the fjord, and about how important it is to nurture this kind of community life. One good idea can become the spark that keeps an entire village alive.

01 Braedslan directors portrait

Director, producer bio/filmography
Skúli Andrésson is a filmmaker, cinematographer, and editor. His work is characterized by a strong connection to people, place, and environment. In Bræðslan, Skúli returns to his childhood home in the Eastfjords, bringing a personal perspective and a deep understanding of the landscape, history, and people who live there. As the film’s writer, producer, and director, he shapes its visual language and emotional tone. He also oversees post-production, ensuring that the editing, soundscape, and overall tone remain true to the heart of the story.

01 Breadslan producers portrait

Producer biography/filmography
Producer bio/filmography
Olgeir Pétursson is a marketing director and producer based in Reykjavík. He grew up in Borgarfjörður Eystri and has a personal connection to the community, landscape, and cultural life at the heart of the film. Olgeir brings a strategic vision to the project, along with expertise in brand development and an understanding of audiences, positioning the film as a local story with international resonance. With experience in promotional campaigns, collaborative projects, and public relations, he plays a key role in shaping the film’s identity and raising its profile.

Director's Statement
Borgarfjörður Eystri is my second home. It holds my childhood memories of summers spent with my grandparents. Bræðslan captures the moment when a quiet village and an old factory come alive with music and people, and the entire fjord awakens. The visual language and soundscape will be in close dialogue with the people themselves, rather than focusing solely on the stage.

Total budget: 20.500.000 ISK
Confirmed amount: 4.000.000 ISK
Required amount: 16 500 000 ISK

Looking for:

  • Minority co-producer
  • Funding to strengthen the team around the film
  • Financing and grants for completion and post-production
  • Connections with film festivals, sales agents and distributors

Parts of the film have already been shot, and a rough cut is underway. Final shooting is scheduled for late July 2027, with completion planned for the winter of 2027–2028. Screening rights and access to RÚV archival material have been secured, and discussions are underway regarding the film’s music.

The goal is to promote the film and secure screenings at film festivals both in Iceland and internationally.

Completion date: Winter 2027 to 2028

Production companies
Heima Studios

Couple of Strangers

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Project title (original language): Naapuri

Project stage:Post-production

Country: Finland

Genre: Independent, Psychological Drama, Horror, Suspense

Estimated length: 01:30

Synopsis
Maria (35) jumps head first into a relationship with Jakob (36) after a heartbreak. Soon the new couple finds their dream home in a lovely neighborhood and decides to move in without a hesitation.

After a while, odd incidents start to occur and Maria is sure that their strange upstairs neighbor is behind it all. Slowly Maria starts to realise that her new spouse is not what he seemed to be.

03 Couple of Strangers directors portrait

Director/Producer biography/filmography
Olli Salmi is a screenwriter and director. Currently, Salmi is working on his debut feature film Couple of Strangers, produced by Artesons. Salmi's second fiction feature film An Amateurwas pitched at the Finnish Film Affair in September 2025.

Before pursuing his own career as a writer and director, Salmi had an established background as an assistant director for films and TV series. Salmi has also previously produced the short film On the Bus in Munich, which premiered at the Vera Film Festival in Åland in March 2026.

Director's statement
Our film is about a suffocating relationship. It's about an invisible, stifling hand that has a hold of you wherever you go disguised as love. The hand first breaks you and then lures you right back in.

What makes this film stand apart is the setting of events. The story, set in a cosy neighborhood of wooden houses, is not isolated or eerie at first. But as we witness the strange incidents unfolding the suspense grows and we start to feel more and more claustrophobic in the middle of a suburb.

Total budget: 350 000 EUR
Confirmed amount: 100 000 EUR
Required amount: 250 000 EUR

Looking for:
We are looking for expertise in international distribution and festival connections.

  • Minority co-producer
  • Executive producer
  • Post-production partner
  • Financing / grant support
  • Connections for festivals
  • Major festival premier

Completion date: Spring 2028

Production companies
Artesons Oy

Just a Kid

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Project title (original language): Bara barn

Project stage: Post-production

Country: Iceland, Estonia

Genre: Coming of Age, Drama

Estimated length: 01:40

Synopsis
After moving from Norway to Iceland, 16-year-old Júlía struggles to balance caring for her younger sister with fitting in at a new school. Drawn to charismatic Salka and the school newspaper, she begins to find her voice.

But when a traumatic drunken night resurfaces, Júlía must confront shame, family responsibilities and the courage to tell her own story.

06 Just a Kid directors portrait

Director biography/filmography
Vala Ómarsdóttir is an Icelandic filmmaker, director, and performance maker with master's degrees from Goldsmiths, University of London, and the Royal Central School of Speech and Drama. She has a Diplóma in Film directing and screenwriting from the Icelandic Film School Screenwriting workshop MIDPOINT and has completed a 2-year-program at the Broadway Dance Center, NYC for Performing.

Her credits for screenwriting and directing include: acclaimed short films SPRUNGUR/FRACTURES (2021) and ÉG/I (2018), which have each won and been nominated for several awards nationally and internationally.

06 Just a Kid producers portrait

Producer biography/filmography
Hlín Johannesdottir has worked in film production since the year 2000. She has worked with many of Iceland's most successful directors on feature films and documentaries as well as focusing on upcoming talent.

Hlín owns and runs the production company Ursus Parvus in Reykjavik, established in 2015. Her credits as a producer include Oh Grindavik (2026), Just a Kid Hlín owns and runs the production company Ursus Parvus in Reykjavik, established in 2015. Her credits as a producer include Oh Grindavik (2026), Just a Kid (2025) and four episodes of Everybody Loves Horses (2024). Everybody Loves Horses (2024).

Director's statement
Bara barn is an Icelandic coming-of-age film told through the eyes of a teenage girl navigating first love, desire, belonging, and the struggle to set boundaries. Set against the backdrop of a contemporary Reykjavík in the winter, the film captures the raw energy, uncertainty, and emotional intensity of adolescence.

It is both an ode to youth and a story of young people challenging the silence surrounding sexual violence.

Total budget: 208 000 000 ISK
Confirmed amount: N/A
Required amount: N/A

Looking for:

  • Awareness and networking.

Completion date: N/A

Production companies
Ursus Parvus
Alexandra Film

Ghost Voices

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Project title (original language): Ghost Voices

Project stage: Roughcut

Country: Portugal, Finland, Italy 

Genre: Documentary

Estimated length: 01:05

Synopsis 
This documentary explores Europe's geographical and cultural peripheries through the voices of the people who inhabit them.

Moving through the edges of Europe, the film brings together a diversity of languages, songs, stories, and soundscapes to evoke a shared sonic identity, inviting us to reflect on notions of borders, belonging, and the ways in which we inhabit and imagine territory.

10 Mermaid in the Sun producers portrait 1

Director biography/filmography
Rodrigo Areias graduated from Sound and Image at the School of Arts in Porto. He also did Film undergrad at NYU's Tisch School of Arts, the Eurodoc and the Venice Biennale College production training programs.

Throughout his career, has developed creative works in the area of author cinema, video-art and videoclips. As a producer since 2001 has produced over 150 films and has won San Sebastian's Golden Shell, three Lions at Venice and a Locarno Leopard.

As a director has won over 50 awards, his films have been in several international film festivals, his last feature film The Worst Man in London premiered at Rotterdam's Big Screen Competition, and his last documentary NOVA '78 premiered on the official selection of Locarno.

09 Ghost Voices producers portrait

Producer biography/filmography
Joonas Berghäll is a Finnish film director, writer and producer. He has been involved in film making since 1998. Today he works in his own production company Oktober.

Joonas has gained a reputation as a creative director and producer who invests in high-quality documentary and fiction films which have been screened in over a hundred film festivals.

He has proven to be one of the strongest documentary makers in Finland, from whom quality films year after year can be expected.

Director's statement
N/A

Total budget: 365 000 EUR
Confirmed amount: 275 000 EUR
Required amount: 90 000 EUR

Looking for:

  • Financing
  • Grant Support
  • Sales Partner

Completion date: May 2027

Production companies
Bando à Parte
Oktober OY
Karel

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